Recently, much hue and cry was raised on the All India
bakchod(AIB)-an ‘insult comedy’ show which went viral on the internet. A
section of the star celebrities came out in support of the show citing the need
to express one’s opinion freely. On the other hand, there were sharp criticisms
against the show, including voices from within the film fraternity. So the moot
point is: Where is the red line drawn?

There is no denying that as the civilization progresses from
barbarism to intellectualism, freedom of expression and tolerance become the
driving force in the transitional phase. Satire and humour becomes a potent
tool of journalism with entertainment an embedded component in it. However, the
underlying principle of satirical attack on others should be to bring about a
positive change in the individual in particular ,and society in general. The
AIB show was a ‘insult comedy’ without a sense of purpose focusing on trivial
issues like sexual orientation and below-the-belt remarks.
In India, the film actors and the cricketers are treated as
demi-gods. That said, the youngsters look up to the celebrities as their ‘style-icon’
and in many cases, as role models. Therefore, when these celebrities resort to
vulgarity and obscenity as a medium of unconditional satire, it amounts to
betrayal of the public trust reposed on them. Satire should be premised on not
just liberty, but fraternity and equality.
Therefore, a culture that includes the freedom to offend
others also needs to understand others. The challenge therefore is to strike a
fine balance between freedom of expression and respecting the collective
sensibilities. There is an old adage that mentions “Your liberty ends, where my
nose begins”.Therefore,freedom of expression is not an absolute right.
Creativity comes with responsibility. Satire should take on the bastions of
privilege and arrogance, not on soft targets based on skin colour, sexual
orientation or mocking religious heads in derogatory manner.
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